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The Baptism of our Lord –
Epiphany 1 Year B
Genesis 1:1-5;
Psalm 29; Acts 19:1-7; Mark 1:4-11
The Rev. Elizabeth Meade
On Thursday this week, I made
my now annual visit to New Gracanica Monastery in
Why did I go there, you may
be asking. Why not some nice Episcopal
retreat house? Well, first, let me describe it. From the time you open the carved wooden front
doors – doors made of cypress planks at least half a foot thick – you are
assaulted sensorially. Candles burn, the aroma of incense and chrism fill your
nostrils, and arches and domes slice through the open spaces, finally
catapulting to a height at least 4 stories up, in a series of domes. It’s like
a birthday cake gone wild. And finally, when you stand at the middle of the
church and look up – up at least 4
stories – you discover an enormous icon of Christ gazing down at you. But that’s not all.
The most amazing part is that
everywhere you look, every square inch of wall space is covered in icons.
The icons At New Gracanica depict
images foreign and familiar. One is of the Nativity, one depicts the Flight
into
And did I mentions windows? There
are windows. Windows placed at odd angles,
that cause sharp jags of daylight to slice through the interior and highlight
the gilt haloes over all the icons bathed in it’s light.
Four stories of haloes! It is
quite overwhelming. And a true testimony to the faith of the persecuted
Serbians who built it.
We build great monuments to
God – and they are often quite awe inspiring, but isn’t it always the little
things that startle us into an awareness of God’s presence? The hand of a loved one, the smile of a
stranger, the kindness of neighbors. This truth startled me on Thursday. So overwhelmed was I by the beauty of the
place, I hardly noticed the one thing that was out of place. When I did, it was
so incongruous that it startled me.
Amidst all this exotic beauty
and sensorial influx was the floor: a magnificent marble floor.
But strewn across it was a
carpet of straw, and dead oak leaves.
And it was there, in the
straw and the dead leaves that I noticed God with me.
New Gracanica is an
architectural testimony to the glory of God, but I was surprised by joy at the
closeness of Jesus. They came, together, meeting at that mysterious point where heaven and earth collide. In all this massive glory, in all the exotically painted icons, in all the glowing haloes…… there was straw and dirt.
Simple organic matter.
And that’s what we see today
in Mark’s gospel. Mark’s gospel starts with the baptism of our Lord. No birth
narrative for Mark. No shepherds, no “angels we have heard on high.” Book one,
chapter one opens to Jesus waiting in line with all the other people – waiting
to be immersed by John in the river
It was kind of like all the
beauty of New Gracan
And just as he was coming up out of
the water, he saw the heavens torn apart and the Spirit descending like a dove on him.
Whenever we see heavens torn apart, we need
to pay particular attention.
I’m no Greek scholar, but I do remember in
graduate school, when we were studying Mark’s gospel. In Matthew’s and
Luke’s gospel, the heavens were merely “opened” but in Mark’s gospel, the heavens
were rent apart – torn open. The Greek
word is Schitzo – from where we get
schism and schizophrenia. The only other time this word is used was when the temple
curtain was torn apart after Jesus’ death. Not gently opened, but torn – ripped
apart in a way that would not be easy to put back together.
So we have these bookends in
Mark’s gospel – when Christ was baptized and when Christ died – that schism
happened. That in the tearing, heaven was no longer closed, no longer separate
and apart from earth. Something irreversible happened. Kind of like Humpty Dumpty: all the king’s
horses and all the king’s men couldn’t put the heavens together again. I think
Mark is highlighting for us what we already know, but may forget. That in
coming to us, and in standing shoulder to shoulder with us in baptism, Jesus is
closer than we can ask or imagine. Jesus: friend, brother, savior, was and is
mysteriously God Himself.
New Gracanica is for me a
physical reminder of this great confluence of God and man together in the most
mysterious of ways. A feeling that with all the beauty – of hundreds of icons, of
all the intricately carved wooden screens, of the army of brass thuribles hanging delicately along each wall –
all these things designed to evoke a sense of God’s glory and mystery – there was
sun shining in from the outside, and there was straw and dead oak leaves
littering the perfection of the marble floor.
God crashing into the sanctuary, as God crashes into our lives.
This is what Jesus seeks to do
with our hearts – and with our lives. Jesus came to tear apart the social
fabric that separates black from white, rich from poor, Anglican from Serbian
Orthodox. He came to tear asunder the idea that the Messiah would come riding
into
And so we have Jesus, the sinless
one, waiting in line to be baptized. Jesus
standing there among all the sinful ones, was God among us. So wanting to be among us that he would be washed in the same
waters of our sinfulness. What an amazing thing that is! That in all incredible
monuments we erect to an all powerful God, that Jesus is there in the straw and
the dead leaves? That Jesus is there
walking in the water with us – whether we notice him or not.
Today, at the
As we renew our baptismal
vows today, and escort Ella as she enters her place in our long standing
history – we must ask, “Do we notice?” Because in Jesus’ baptism, and in every
baptism, the heavens open and that voice speaks, saying, “You’re the One. You’re my child and in you I am well
pleased.” Do we notice?
The heavens have been torn
open, and will never be closed again. Our hearts are opened as well. Open to the possibility that our lives, filled with straw and dead leaves, provide a
home for Christ. God is there.
“You’re the one. You are my
child, and in you I am well pleased.”
Thanks be to God. Amen.